Films

Project Heaven
 
Project Heaven
 

Directors:  Galo Semblantes

Screenwriter:  Galo Semblantes

Genre:  Science Fiction

A corporation that created a virtual paradise for people about to pass away, employs Samuel Jahr,  a depressed salesman who wants to be part of this paradise to find the happiness that is impossible to achieve in his real life.  But on his way, he meets the resistance of those whose religious beliefs are against this type of technology.

 

The Legend of Tayos

Directors: Galo Semblantes

Screenwriter:  Galo Semblantes

Genre:  Documentary

 

A Hungarian explorer named Janos Moricz, claims to have discovered a "Gold Library" inside a cave. Lacking evidence, he tries to get the recognition he believes he deserves but struggles to get support from the local governments and religious leaders.

 

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Directors:  Galo Semblantes

Screenwriter:  Galo Semblantes

Genre:  Science Fiction

A corporation that created a virtual paradise for people about to pass away, employs Samuel Jahr,  a depressed salesman who wants to be part of this paradise to find the happiness that is impossible to achieve in his real life.  But on his way, he meets the resistance of those whose religious beliefs are against this type of technology.

 

Los Sabios del Bosque Amazónico
 

Directors:  Juan Valdez / Belén Iturralde

Producer: Galo Semblantes

Screenwriter:  Juan Valdez / Belén Iturralde

Genre:  Documentary

This documentary reflects on the importance of traditional knowledge about medicine and the close relationship that unheard peoples have with the spiritual world of non-humans, this being the strategy with which they have been able to defeat epidemics and pandemics throughout their lives. history.

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Encounter with a Killer

 

Directors:  Galo Semblantes / Claudia Valdivieso

Producer: Galo Semblantes / Claudia Valdivieso

Screenwriter:  Galo Semblantes / Claudia Valdivieso

Genre:  Documentary

In 1980, the capture of the infamous serial killer Pedro Alonso López, also known as the Monster or the Strangler of the Andes, seemed to end his nearly decade-long reign of terror. However, Ecuadorian laws benefited the murderer by giving him a shorter sentence and even the option of leaving in less time. When the Monster's release draws near, a group of family members struggle to find ways to keep him in jail, while he, from the inside, searches through a series of letters to clear his name and unmask the real killer: Jorge Patiño. The problem is that Jorge Patiño exists only in his mind.

 

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